In the recent Los Angeles Times feature, the story of Grammy-winning producer Hit-Boy and his father, Big Hit, is a profound narrative that’s redefining the hip-hop landscape. This tale is more than a chronicle of musical milestones; it delves deep into the themes of resilience and redemption, portraying a journey that’s as personal as it is professional.
The setting of Snoop Dogg’s Doggyland casino in Inglewood serves as more than just a backdrop for a music video shoot featuring Benny the Butcher and Snoop Dogg. It becomes a symbol of family bonds celebrated in the realm of hip-hop. Snoop Dogg’s greeting to Big Hit, “Big Hit, what up? I just bought your album again. Too damn important,” is a testament to the respect garnered within the hip-hop community. This interaction not only bridges generational divides but also highlights the evolving nature of hip-hop as a genre that honors its roots while embracing new influences.
Big Hit’s past, characterized by extended periods in prison on drug-related charges, is a gripping tale of survival. His candid recollection of the hardships faced, “They went overboard with me, because I was the one who wouldn’t stop,” juxtaposed with his battles against COVID-19, portrays a man who has weathered life’s most severe storms. This backstory provides a deeper understanding of his influence on Hit-Boy, offering a stark contrast to the glitz and glamour often associated with the music industry.
Meanwhile, Hit-Boy’s ascent in the music world, marked by both triumphs and challenges, including a less-than-favorable deal with Universal Music Publishing Group, paints a picture of an artist’s perseverance in an industry fraught with obstacles. “I realized it was a bad deal in 2011, when ‘N— in Paris’ came out,” Hit-Boy reflects, a statement that underscores the complexities artists often face.
Their collaborative album, “The Truth Is in My Eyes” is not merely a compilation of tracks but a testament to their shared experiences. Opting to release it on Bandcamp signifies a dedication to authenticity, setting a precedent in an industry where mainstream platforms often dominate.
The album’s impact transcends its musical composition, as evidenced by Hit-Boy’s reflection, “What we’re doing is miraculous. I’ve had people say, ‘Y’all made me reach out to my dad again.’” This sentiment speaks volumes about the power of music as a catalyst for healing and connection.
DJ Hed, a prominent voice from Home Grown Radio, provided insightful observations about Big Hit’s post-release adjustment period. Reflecting on their time together in the studio, DJ Hed noted, “I sat with him for hours when he had been out for maybe 10 days, and the yard was still on him.” This comment adds depth to the story, highlighting the often-overlooked challenges faced by individuals as they reintegrate into society after incarceration.
The duo’s journey is not just a story of a father and son in hip-hop but a significant addition to the genre’s narrative. They bring a blend of generational experiences and perspectives, enriching what hip-hop represents. Their story is a testament to hip-hop’s capacity for growth, personal development, and forging familial bonds.
This feature in the LA Times is more than just a portrait of two artists; it’s a narrative that challenges and redefines hip-hop culture. Their journey highlights the genre’s ability to transcend music, embodying resilience and fostering deep connections within and beyond the community. It’s a story that illustrates the transformative power of music, resonating with anyone who understands the struggles and triumphs inherent in the pursuit of artistic and personal fulfillment.
The latest album from Big Hit, “Paisley Dreams,” is a standout collaboration with West Coast rap icon The Game, masterfully produced by his son, Hit-Boy. This project not only highlights the dynamic synergy between the father-son duo and The Game but also celebrates the distinct flavor of West Coast hip-hop.